Key Issues for
Reading the Shack and/or Enjoying the Film
The Shack premieres in theaters across the country on March 3, 2017. I studied the original novel carefully and offered lectures and talks on it during 2009. I'm excited to see the movie and hope that it does well.
Here are some initial thoughts and takeaways on the book/film:
1) The Shack is a
work of fiction. It is rooted in life, Christian thought, and Scripture, but it
is fiction and its author claims nothing more for it. Through story, The Shack offers a narrative that
attempts to interpret key themes of Scripture in fresh and meaningful ways to a
21st century audience. In particular, it attempts to communicate an
understanding of the God of the Scriptures that is capable of touching deeply a
person who has grown weary of or hardened against a simplistic or naïve faith.
The Shack should
not be read (book) or watched (film) as a systematic theology. Young is
creative and imaginative in his writing. He deploys well the elements of
fiction to craft a compelling and transformational story. This does not mean that
every aspect or line will hold up to a rigorous theological critique. I think
that Young succeeds in writing a powerful story about God’s missional love for
the pinnacle of His Creation—humanity. None of the liberties that Young takes
or imaginative illustrations that he deploys is detrimental to the Gospel message
underlying The Shack. Ideally,
through reading The Shack, men and
women will be inspired to (re)engage God in relationship. This will lead
inevitably to a return to the Bible itself.
2) The Shack joins
a long line of fictional works that engage the riches of Christian theology and
tradition. Here are some examples: C. S. Lewis, The Chronicles of Narnia; Dante, Inferno; John Steinbeck, East
of Eden; John Bunyan, Pilgrim’s
Progress; Flannery O’Connor’s short stories.
The Shack pushes
the envelope through a personification of each person of the Trinity along with
the figure Holy Wisdom (Sophia) from the Bible’s Wisdom traditions. Young takes
a risk here. This move is made to emphasize the relational side of God. But its
unconventional use of feminine and non-European imagery has raised issues for certain
readers who forget (in my opinion) that The
Shack is fiction and that the majority of the world’s Christians are now of
non-European descent. Young’s portrayal of the Trinity is bold and works to put
a human and gracious face on the biblical God who too many in our world think
of as oppressive, distant, male, and neither loving nor faithful. I think that
Young’s move works, but some (traditional) readers may not be able to get past
the imagery to hear the good message within The
Shack.
3) Reading The Shack
is not a substitute for reading and reflecting on Scripture regularly. The
Scriptures are God’s gift to humanity and serve as the authoritative guide for
faith and life. The Old and New Testaments tell the story of God’s missional
interactions with Creation in general and with the creation, fall, and
redemption of humanity in particular. In fact, Young would not have been able
to write The Shack without his own
careful reflection on the Bible. The Biblical portrait of God is the
inspiration for The Shack and Young
alludes to the Scriptures subtly throughout the novel and screen play. The more that one
understands and knows the Bible the more one can appreciate Young’s work. My
hope is that The Shack will motivate
its readers to read through the Scriptural story that inspired and informed the
core of Young’s work.
© 2017 Brian D. Russell